About

Simone Salvatici

Simone Salvatici is a London-based sound therapist, composer, multi-instrumentalist and sound artist work explores the transformative potential of resonance, vibration and deep listening.

Working at the intersection of sound art, minimal composition and contemplative sonic practices, Salvatici creates immersive environments where sound becomes both a musical experience and a space for awareness. His performances combine overtone-rich acoustic instruments — including gongs, Himalayan singing bowls and string instruments — with analogue synthesisers and electronic drones, forming evolving sonic landscapes rooted in resonance and harmonic interaction.

A pioneer of resonant sound practice, Salvatici is known for integrating electronic synthesis into the traditionally acoustic world of resonant instruments. His work explores the meeting point between minimal composition, sympathetic resonance and deep listening states, creating immersive sound environments where electronic and acoustic vibrations interact as a unified field of sound.

Alongside his artistic work, Salvatici is engaged in academic research and is currently pursuing postgraduate studies in Ethnomusicology at SOAS University of London, investigating the cultural and contemplative dimensions of sound across musical traditions.

His work has been presented in cultural institutions and venues including the Natural History Museum, Tate Modern, Tate Britain and the Royal Albert Hall, as well as independent cultural spaces across London.

Through performance, research and teaching, Salvatici continues to explore how sound can reconnect listeners with attention, presence and the subtle architecture of listening.